Until we were together
Digital
2025
his project began with a decision to look at mould—not as something symbolic, but as something that quietly insists on being present. I was drawn to its slow growth, its soft invasiveness, and the way it alters surfaces without permission. Over time, I stopped trying to photograph what mould looks like, and began exploring how images might behave like mould—spreading, layering, clinging, and resisting clarity.
What started as an interest in texture became a way of thinking about power, collectivity, and control. The work shifts between bodies and surfaces, visibility and blur, trying to find where form starts to fall apart—and what that falling apart might reveal.